Wave editor

Audio Lab

Audio tools

Free Online Audio Editor

Trim, change volume, adjust speed, reverse, and export audio directly in your browser.

Drop an audio file here

WAV, MP3, M4A, OGG, FLAC, or WebM depending on browser support.

Choose file
File No audio
Duration 00:00.000
Selection 00:00.000

Waveform

Ready to trim

Import audio to view the waveform
00:00.000 / 00:00.000

Guide

Audio Formats Guide for Online Editing

Format choice affects compatibility, file size, and quality. Browser audio editors also depend on the codecs your browser can decode and encode, so the best format is not always the smallest or most familiar one.

Import support depends on the browser

When you open a file in Audio Lab, the browser decodes it with built-in media support. WAV, MP3, M4A/AAC, OGG, FLAC, and WebM are common, but support is not identical across Chrome, Safari, Firefox, desktop systems, and mobile systems.

If a file will not open, the issue is often codec support rather than the editor interface. Converting the source to WAV or a common MP3 before editing usually improves compatibility. WAV is large but widely understood, which makes it a dependable bridge format.

WAV and AIFF

WAV and AIFF are uncompressed container formats commonly used for editing and exchange. They create larger files than MP3 or M4A, but they avoid generation loss during export. If you plan to continue editing in another app, choose WAV or AIFF.

Audio Lab offers multiple WAV options, including 16-bit PCM, 24-bit PCM, and 32-bit float when available in the export list. For most sharing and basic editing, 16-bit WAV is enough. 24-bit or float can be useful in production workflows that expect more headroom.

Sample rate and bit depth in plain language

Sample rate describes how many snapshots of the sound are stored each second. Bit depth describes how much detail is available for each sample's level. These settings matter most when recording or doing heavier production work; for quick browser edits, preserving a sensible uncompressed export is usually enough.

If you do not know which WAV option to choose, start with 16-bit PCM for general use. Choose 24-bit or float only when another production tool specifically benefits from it or when you are keeping an intermediate file for further processing.

MP3, M4A, OGG, and WebM

MP3 is popular because it is small and compatible, but it is lossy. Re-exporting an MP3 through another lossy format can gradually reduce quality. Audio Lab does not include built-in MP3 export, because reliable MP3 encoding in the browser requires an additional encoder.

M4A usually contains AAC audio and is common on phones and Apple devices. OGG and WebM often use Opus or Vorbis codecs and can be efficient for speech or web playback. These formats may appear as export options only when your browser exposes the necessary MediaRecorder encoder.

FLAC and archival choices

FLAC is lossless compression, which means it can reduce file size without discarding audio information. Many browsers can decode FLAC, but browser-side export support is less consistent. If you need a final FLAC file, you may need a dedicated converter after editing.

For archiving, keep the best original source you have. Use Audio Lab exports for edited copies, not as the only version of an important recording.

Practical recommendations

For further editing, export WAV. For a quick reversed sound or trimmed clip that will go into a video editor, WAV is also a safe choice. For lightweight sharing, use a compressed browser-supported option if it appears and quality is acceptable.

If you are deciding between MP3, WAV, and M4A specifically, read the MP3 vs WAV vs M4A comparison for a more focused breakdown.

FAQ

Frequently asked questions

Why do export options change between browsers?

Compressed export depends on MediaRecorder encoders exposed by the browser. Not every browser exposes the same codecs.

Which format should I choose for quality?

Choose WAV or AIFF when quality and further editing matter more than file size.

Why is WAV so large?

WAV is usually uncompressed PCM audio, so it stores far more data than lossy compressed formats.